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catatan seorang demonstran

It tells Soe Hok Gie personal lives, like his girlfriends and family. I love reading about his inner struggle, but the girlfriends part? Not so much.

Plus it's dissapointing reading about people who fought together to overthrow Soekarno now turns into corrupt officials. It's like they get what they want, and they did what Soekarno's regime did. It's pretty pathetic and dissapointing to read how quickly they change their minds. Overall, I think this book should be read by Indonesians college student at least once.

It really animates the spirit of students; the struggle, the rebellion, the fight for justice.

And it gives real insight about what happened in The book started with some diary entries from when he was in middle school. He criticized everyone around him, his "ignorant" fellow peers and teachers whom he always debated with.

Gie developed interest toward philosophy and writing as he spent his time reading works from writers such as Goethe. He began to criticized at Indonesian politics from his late years of high school and entering University of Indonesia.

He dreams of Indonesian family in Jakarta, Gie has a meeting up again with Han, and again great concern for justice and human enjoying the carefree times they used to rights. When Han, his close friend, spend together. Gie also climbing expedition to Mount Semeru, criticizes the unfairness and the lack of one day before his twenty-seventh integrity of his teachers both at the birthday on 16 December He criticizes the corruption, awards in Indonesian and international social inequality and power abuse under film festivals, including best movie, the government of Soekarno, which actor and cinematography at the causes the poor and the oppressed to Indonesian film festival.

It was also suffer. As an song that is associated with the PKI as eternal oppositionist, he challenges all of part of its soundtrack, both of which kinds of establishments.

An avid would have been impossible in the New proponent of living close to nature, Gie Order era. In the effect on his personal life.

Directed meets Han, his childhood friend, who by Arifin C. Noer, this film is viewed by has become closely involved with the contemporary Indonesian film critics as Indonesian Communist Party PKI , an epic propaganda film, centring on the while Gie has remained politically role of Soeharto as a military leader and neutral.

Gie suggests that Han should his defeat of the attempted coup of 30 abandon his ties with the PKI, but Han September that was led by Colonel refuses.

Many film humanity. Gie then criticises the brutal critics applauded its content and artistic massacre in articles published in some value, but expressed reservations and 2 disappointment about its lack of focus Indonesian, with English translations and weak screenplay and dialogue. For provided in a footnote. This publication is very portrayal of the main characters. It of the massacres of PKI supporters, or includes notes on the re-drafting process, maybe on the friendship between the which reveal that the script went through activists, or Gie as a rare-breed activist eight drafts before reaching its final hailing from the Chinese Indonesian form, as well as analyses of the script by community Diani, Eric Sasono Riza, vi.

Qualitative methodology has cinematic text, taking into account both been used in the collection of other form and style. As a system, conducted to gain supplementary data on it includes plot, story, space and time.

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Interviews were conducted in from other aesthetic products, in that person interview or electronically. It is form is not its only aspect.

This introduces arguments and opinions.

Where relevant, film style, or the non-narrative aspects of data from film posters and form, as the second area of analysis. It argues that these individual a homoerotic subtext.

In their dialogues are quoted in their original discussion of queer film, Benshoff and 3 Griffin —16 describe a resistance reading resistance reading and number of formulaic representations of challenges dominant perceptions of queer characters and queer images. The fourth Firstly, the way characters act or speak, possibility is related to film genre. The act of identification of the fixed sexual or gender identities of with the queer characters may involve a the characters.

In the s, some the Straight Gay and Queer as French and then British and American Folk , queer culture is depicted film scholars began applying openly and directly as a celebration of psychoanalysis to film studies in an non-normative expressions of sexual attempt to analyse the screen-spectator desire.

Together, these five criteria refer to argued that cinema works at the level of the interrelation between film, unconsciousness. In a dark room, the filmmaking and film spectators. Firstly, spectator looks at the screen and derives a film may contain queer characters and visual pleasure from the screen. Part of deal with queer issues. The second that pleasure comes from a narcissistic criterion is authorship.

A film might be identification with the person on the classified as a queer film if the directors, screen. In , Christian Metz drew on the producers or the film stars can be the analogy of the screen with the mirror identified as queer.

The third criterion by as a way of talking about spectator which a film may qualify as queer is positioning and the voyeuristic aspect of queer spectatorship. In this essay, Mulvey argued that grain method aims to renegotiate the classical cinema invariably constructs a dominant hetero-normative ideology that male gaze.

As Sen spectators all join together to objectify and Hill point out, women as erotic spectacles and create a interpretation of film as a cultural text is male subject position for those in the never perfect or complete. Film audience, regardless of their actual sex potentially encourages the gay audience Mulvey, This female characters positioned merely as model of resistance reading challenges objects of male desire. Some theorisation of female spectatorship.

Queer film different perspective on the spectator as scholars maximise the power of a subject which is not passive but fluid. They believe that this film is very homoerotic even though this aspect of Homosociality and the Homoerotic this film never came to be discussed Interpretation of Gie publicly Rahman, They asserted that this film mailing list coordinator, is a gay or should be entitled Gie dan Han Gie and bisexual male who hides his homosexual Han since the close relationship identity from his straight counterparts.

Secondly, the intimacy mereka yang berumur panjang. Rahman and Agusta believe that banget? Apakah si Gie ini gay? Kalo emang dia gay, kenapa di catatan hariannya gak ada quell any thoughts of homosexuality in sama sekali clue yang nunjukin ini? Apa mungkin negates whatever proposition was sebelum dipublikasikan, catatan initially suggested. The glamorous August The fact that merasa Gie itu KK alias undercover. Soe Hok Gie is played by Nicholas Bagaimana menurut teman-teman yang Saputra, the most popular and good- lain?

Soe Hok Gie: Biografi Sang Demonstran 1942 - 1969

The by Rehan Putra on 2 August, Gie bukan gay, bukan hetero, bukan Bi, bukan apa-apa. Gie adalah sosok What is interesting here is the manusia yang telah mencapai tingkat different interpretation suggested by pencerahan yang lebih tinggi dari Rehan Putra.

By arguing that love is pencarian jati diri dia. Gay, hetro, bi more sublime and wider than a sexual atau apapun namanya, itu semua identity, Rehan is expressing the view adalah istilah yang gak dipakai dalam that Gie is a kind of higher being who kamus Gie. Lewat pencarian jati diri cannot be understood according to itu, dia menemukan yang namanya arti ordinary categories. In this perspective, cinta yang sesungguhnya.

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Students were very critical and sensitive with all the social problems. I love the way we're all uniting for a better Indonesia. But then, after , this journal became too private. It tells Soe Hok Gie personal lives, like his girlfriends and family. I love reading about his inner struggle, but the girlfriends part?

Not so much. Plus it's dissapointing reading about people who fought together to overthrow Soekarno now turns into corrupt officials.

It's like they get what they want, and they did what Soekarno's regime did.Apa mungkin negates whatever proposition was sebelum dipublikasikan, catatan initially suggested. Artikel ini menggunakan teori Queer Film yang dikemukakan oleh Benshoff dan Griffin Even luckier are those who die you think of me as your older brother, your young, and the unluckiest are those who live boyfriend, or … long lives.

But then, after , this journal became too private. Nissinen, Martti. In It was during his time as a student that Soe became an active dissident, protesting against President Sukarno and the PKI.

Catatan Seorang Demonstran

London America. New York: Oxford University Press. Moreover, underpinned both intrinsically, in the male bonding in Gie leads to the issue of way particular scenes in the film can be social change.

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